NYC: May 24-27, 2012

When I last wrote on Thursday night from Carnegie Hall, the conductor, Franz Welser-Möst was about to begin the concert.

His downbeat set in motion a 100-minute tale for solo singers and orchestra written near 1915 by the composer Richard Strauss, (no relation to the waltz king.)

The composition is called Salome. Typically done on an opera stage with sets and costumes, this performance was done  "concert" style which meant the opera stars, in formal attire, inhabited platforms on stage right and left and  behind the orchestra.

Most people are familiar with Salome's Dance of the Seven Veils. That is the fun part. The less fun part is when Salome, granted whatever wish she desires, says she wants a human head on a platter of silver.

The particular head she desired belonged to Jochanaan. He was a principled man of purity engaged in the serious business of "spread-the-word." He refused Salome's  advances. She wanted a kiss.

In the end she got her kiss which her man could not prevent because his head was severed and on a platter. That did not dampen her enthusiasm. She kissed away with passion and ardor.  And she nibbled his cheeks, as well.

A price was to be paid for her blood lust. It was determined she had gone too far and it was proclaimed: "She must die." And she did. And it was over.  

Creepy stuff. It is from the Bible. Jochanaan is John the Baptist.

The performance was less thrilling than the previous evening's.

A big fuss was made over soprano, Nina Stemme. It was her Carnegie Hall and Cleveland Orchestra debut.

Her performance was pretty. It was beautiful. But one never would have imagined she was a demented, sadistic revengestress.

Friday, May 25, 2012. My day began with an early morning visit to Eataly to procure croissants stuffed with salted prosciutto. They are oh-so-good.

I bought several. Not for myself, but to bestow upon Yung Chin, the bow maker and Carlos Arcieri, the violin maker. They love good food and these are good.

I took the subway to the 54th Street instrument shops. My first stop was to see the bow-maker.

Customers were milling about with bows. One young lady was seated at the work bench. She was 17 years old. Her presence was part of a high school project--a mini internship--and she was assisting with the rosin on the bows. Yes, she was also a violinist with 14 years of private lessons behind her, but she has been accepted at Princeton this fall and will study engineering. Good for her. Brains and talent.

Next I visited the the violin-maker, his atelier also abuzz with customers.  One in particular, Suzanne Scott-Moncrieff, was fascinating. She is a lovely player, but chooses to work in the field of mental health. Music is one of her therapeutic tools. She has studied viola in London and in New York City with two violists whom think the world of, Mr. John White at the Royal Academy of Music and Ms. Mallow, a grand-child of the great American violist, the late Lillian Fuchs.

I told Ms. Suzanne Scott-Moncrieff, my new acquaintance, that I have occasional trouble with a "Moncrieff", the one that made the--too old fashioned for me--translation of Remembrance of Things Past by Marcel Proust. In it's day--1920's--the translation was valued. Now it feels like so much stuffy, Victorian, drawing room dialog. I expected Suzanne to  claim no knowledge of that man, instead, she said, "that was my great-uncle." Now, when I shake my fist at Moncrieff's syrupy words I will smile and think of his lovely grand-niece, the violist.
Suzanne departed and Gian Carlo Arcieri arrived. He shares the shop with his excellent father. Gian Carlo makes excellent violins and I enjoyed showing them off to Pam Gates. Pam is a colleague from Los Angeles. She was visiting NYC and by coincidence she walked into the shop while I was there.

Allow me a sidebar about the bow-maker and the violin-maker. They both have tremendous expertise. They both are capable of producing, from scratch, an exquisite playing object. They both have been at their trades for many decades. However, for some makers, real life intervenes. Marriage. Family. Mortgage. Children's college tuition. And they find less and less time to produce their own work. Instead they turn to quick, lucrative repair work. I sing the praises of these two men. They sacrificed a life of creating instruments to be available to us, the players, who depend on their ultra-refined skills. I am grateful and cannot express how much I appreciate them. I call them the "aprons", as opposed to the suits who typically run the shops and have limited knowledge, but are barracuda business men and good actors that play the role of expert.

I moved on to my dinner date with the lovely "anonymous 1" and her friend, the equally lovely "anonymous 2".

We met downtown (19th Street and Broadway) at ABC Kitchen. I have a relative, a niece, the estimable Karen Shu, who works there. She is a chef prodigy and has a position of serious responsibility in ABC Kitchen's kitchen.

She was away for the Memorial Day weekend. In her absence she left instructions for the care and feeding of me and my two companions.

Chef Dan came to our table. He welcomed us and made useful recommendations.

We began with cocktails. They were extremely good. Yes, they contained booze, but they were so well blended--with fresh lemon and lime juices, rhubarb puree, basil simple syrup--that I did not notice the booze because my palate was busy ooh-ing and ahh-ing wallowing in the vibrant flavors. They were heavenly.

Of the dishes that arrived to our table, one-third of them arrived "compliments of the chef". Our full array of consumables included:

•Cocktail: Lemonade with thyme and vodka
•Cocktail: Daiquiri of fresh lime juice, light rum and basil simple syrup
•Cocktail: Rhubarb Cosmopolitan
•Sauteed Fiddle Head Ferns
•Chicken Liver spread on toast
•First of season heirloom tomatoes sliced onto toast
•Salad: Sugar Snap Peas julienned on endive
•Salad: Roasted Beets with micro-greens in a pool of fresh yogurt
•Pizza: Bacon chunks, chopped ramps, fresh black pepper and poached egg in the center
•Roasted Asparagus topped with a sauteed, crumb-coated, poached egg
•Soup: Sweet English Pea with floating gougere
•Fresh Ricotta topped with Rhubarb Puree to spread on toast

ABC Kitchen is located one block away from the Union Square Farmers Market. On the menu the emphasis is on fresh vegetables.

And the ambiance is attractive and comfortable with excellent service. Finally, the extra attention of Chef Karen adds a measure of love absent in the typical restaurant experience.
I intended to leave ABC in time for my 7:30 ballet appointment, but the meal was so enjoyable I let my departure time come and go.

I arrived at The Metropolitan Opera House during the first act of La Bayadere. Late seating was not allowed. I watched Act One in a small theater--nine rows, 16 seats each--just off the lobby, with a large screen.

On the movie screen the ballet looks like so much old-fashioned tutu-mania, but what is corny on the screen, when seen live in the theater, evolves into thrilling, real-time, human physical achievement.

The dance company is called "The American Ballet Theater". They use The Metropolitan Opera House for their May to June season.

I do not know much about ballet dancing. And I am not much drawn to the romantic, fantasy, fairy-tale stories of the famous ballets. But last year a New York Times photo caught my eye.

In the photo, a ballerina was in the air. She hovered. Or did she float.  She looked as if she was blown by the wind. As if she were the leaves on a tree when a breeze hits them and they all move in a coordinated direction. To my eye she looked as if her movements were directed by natural elements. I was fascinated and I jumped at the chance to see her live on stage.

Her name is Osipova. She is Prima Ballerina of a company in St. Petersburg, Russia, but she is an international star and annualy visit the major ballet stages around the world.

Today, my lunch companion explained to me that a leading contemporary choreographer, Alex Ratmansky--who is expert at identifying unusual or unconventional or  peculiar qualities in dancers--has created dances for her that turn her oddities into sparkling brilliance.

Saturday, May 26, 2012. It was a scorcher. Blazing sun. Moist air. Sweat beaded up the moment I stepped outside.

I have resisted temptation, but today is the day I will buy, from Eataly, then eat a croissant, sliced and stuffed with salted prosciutto. It is caloric. It is delicious. And today I will eat one.

After purchasing said item, I made my way uptown to the Metropolitan Museum of Art. I arrived sweat-drenched. The indoor air-conditioned climate was welcome.

Even if one goes to the MET to visit a particular gallery it is difficult to get to that gallery without stopping to visit the many temptations one notices through every doorway.

I was headed for the special exhibit devoted to the art collections of the Stein Family--as in Gertrude Stein.  En route I was tempted by an Islamic gallery.  I gave in. I stopped into galleries of 7th-Century Byzantine art from the specific area of the Nile and Jordan rivers.

It interested me that the jury was still out on the subject of Jesus: whether he was two persons, one human, the other divine. The Council of Chalcedon in 451 wrestled with the issue. In the end, some followers went with: he was a human. And others went with: he was a non-human spirit.

Another controversy occurred under Emperor Leo III (717-741) regarding the  appropriateness of religious imagery in the empire, Iconoclasm. Eventually, in 842, Iconoclasm "was officially repelled and tesserae" (tiny tile fragments in mosaics) that depicted religious faces were removed, scrambled and re-installed.

One last item, (of interest because it was so ordinary,) was a 6th-Century letter from Egypt written on papyrus. It sought a status report on the order of wool for Patricia: "It is not ready.  Come back later."

I tried again to get to the Stein Collection. But I saw a large marble statue from the late 1500's. A male nude. Playing the violin. I have never seen a three dimensional sculpture of a violin. I photographed it for study later.

Finally, I got to the Stein Collection. Gertrude and her brothers, Michael and Leo lived in Paris for decades beginning about 1903.

There were show stopping paintings: Picasso, The Boy with a Horse, 1905; Cezanne, The Bathers, 1897.

In another room there was a plaque expressing regret that Sally Stein (Gertrude's sister-in-law), an intimate correspondent with Henri Matisse burned all of their correspondence.

On another wall, a brief, very brief mention was made of World War II and the Nazi Occupation of France. Jewish, Gertrude Stein survived WWII in good shape. She had negotiated an agreement to be protected from the Germans. Monsieur Fäy was her french contact and he had direct ties to the Nazis.

Finally, we all know that "cubism" was a major revolution in painting at the start of the 20th-Century. Picasso was one of the pioneers. On exhibit were a dozen plus paintings from 1914. They serve as a visual laboratory. He tries this idea and that idea. Some of them work well. Others look unconvincing. After working out ideas in those paintings he was the undisputed king of cubism.

After the Metropolitan  Museum of Art, I did not have an afternoon plan so I bought a ticket to the silly, slapstick, British variety show called, One Man, Two Guv'nors.

As expected, it was silly and slapstick and I enjoyed it alot. The star, new to America, is a personable, smart, funny, British every-man.

Afterward, I met friends at Sardi's. I had two daiquiris (lime juice and light rum) and a club sandwich.

From there I headed to the East Village and stopped in on Duane Cerny at D/L Cerny where niece, Lily's prom dress was tailor made. It was very humid and water poured from my brow like an overflowing tub. In spite of that, we had a fine conversation about Lily, and about the Catskill Mountains where Duane has a house on 40 acres--since 11 years ago--that he has been adding a barn to with his own two hands.

And we reminisced about Seth Abrams, an actor friend of Duane's that I met in the shop. Born with a defective heart, Seth was a at risk of a major stroke. Two Decembers ago he had that stroke. He is determined to recover. He is an actor on the verge of great opportunities. Duane's clothes are 1950-ish in their aesthetic and Seth, Duane's regular customer, is the perfect model for them.
Duane and I chatted too long. Fortunately, my next destination, The Public Theater, was across the street. I had 8 minutes before my show was to begin.

I saw February House, a new musical by Gabriel Kahane, a 20-something year old "genius" son of the international concert pianist, Jeffrey Kahane.  
Gabriel's show depicts the events of an actual house in Brooklyn during the years 1940 and 1941 when a cluster of genius-level creative artists--writers, composers, stripper, in particular, Carson McCullers, W.H. Auden, Gypsy Rose Lee--shared a house together. Most of them were on the cusp of fame, at the start of their careers and had gravitated to New York City from far-flung places--London, England and North Carolina, etcetera.

The premise of the show was interesting. The style of the songs varied from very tuneful and accessible to very modern, dissonant and challenging. I am not one to shy away from "challenging", but I found the tuneful songs more effective than the challenging ones.

The composer is very talented and mature beyond his years. This show is terrific in many aspects. And the other aspects were like a work-in-progress that had unrealized greatness waiting to be refined from the musical sketches.

I went to the show in baggy shorts, tee shirt and flip-flops, not appropriate theater clothes, but necessary for the climate.

After the show I walked back to the hotel via Washington Square and  Greenwich Village. The streets were full. There was a balmy breeze. And though my flip-flopped feet were tired the walk was very satisfying and earned me a good sleep.

Sunday, May 27, 2012. My revels have come to an end. I call my trips to New York City, "feeding my brain."  This trip was a feast. I absorbed smart language, met interesting strangers, heard brilliant virtuoso music performances, saw a human defy gravity in the name of ballet. And I shared company with, broke bread with and drank cocktails with fascinating companions.

Life is good.

And the perfect conclusion came in the form of dear friends--more than friends, really--Kathy and Sam who arrived to NYC in time for a Sunday breakfast.

I checked out of my hotel and met them at the Lucerne Hotel cafe, Nice Matin, on the Upper West Side.

We have traveled the world together: Cuba, Spain, Japan, Belgium, Scandinavia. We have traveled and we shall continue to travel together. Where shall we go next? That was the lively topic we discussed over berries with melon, pineapple, yogurt and granola. And over oatmeal with yellow raisins and half and half. And over brioche toast with butter and jam.

Life is very good.

Now I am on the plane, basking in the luxury of business class--Wes is too good to me; thank you, Wesley--where they are pampering me with food and wine as we soar home at 500 plus miles-per-hour.

Thank you for reading.

Marlow: May 27, 2012, in the air en route to California
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