Paris, 2009 (photo by Roland Kato)

Paris, 2009 (photo by Roland Kato)

Tuesday, June 14, 2016

Resources - Sicily and Puglia


We have compiled lists of tips and various resources in response to inquiries regarding specific places or events mentioned during our travel in Sicily that we would particularly recommend.  We have not attempted to list every restaurant or accommodation - only those that stood out and that we would love to return to.

Accommodations
  • Siracusa - Apartment in Ortigia in an ideal location with a view of the sea but not located on the busy perimeter of the island.  Spacious with nice furnishings and attention to all details.  Owner was helpful and responsive.  Located up a few flights of stairs but worth it!  You could just stay inside and enjoy the space.  Highly recommended.  
  • Modica - Casa Talia.  Extremly comfortable inn with self contained units tucked into the hillside, outstanding views and lovely gardens.  Modica is well located for exploring the Southeast of Sicily and is convenient to the nicest beaches.  The inn is located above the heart of the town which provides more convenient access for day trips by car than having to drive through the congested center.  But the center is only a ten minute walk downhill.  We stayed in the Scirocco room which was ideal.  Highly recommended.
  • Etna area - Monaci delle Terre Nere has a good location fairly high up on the East side of Mt. Etna with expansive views out to the sea.  Nice swimming pool and yard for relaxing.  Onsite restaurant is overpriced and not recommended.  There are probably better options than this hotel in the Etna area but we were comfortable there and enjoyed relaxing at the pool.
Accommodations - Puglia and Tropea

Restaurants (click on link for address and other information)  Many restaurants we visited are affiliated with Slow Food.
  • Ortigia (Siracusa):
    • Caseificio Borderi Sandwiches made to order using fresh ricotta and other cheeses.  Located in the market.  Worth the wait in line.  Also interesting and entertaining to watch.
    • La Gazza Ladra (Slow Food)
    • Enoteca Solaria Nice option for the aperitivo hours.
  • Scicli: La Grotta   (Slow Food) Highly recommended.



  • Portopalo di Capo Passero: Ristorante Scala (Slow Food) Highly recommended.

  • Tips

    • Lunch seemed to start at 1PM and last until 3PM.
    • We preferred to have our main meal at lunch since life since many shops and sights are closed during the lunch hour.  This habit also fits nicely with the aperitivo practice where many bars and restaurants serve ample snacks along with drinks during "happy hour".  
    • Restaurants are happy to split portions between two so we would often share ("condividere") a pasta or other "primi" and then each have a meat/fish/vegetable course.  It is also completely acceptable to only order from one section of the menu.  You do not need to order both a primi and secondi.
    • The Slow Food app for iPhone includes a map feature whereby you can easily find affiliated restaurants in your vicinity.  We made extensive use of this app.
    Miscellaneous
    • We arranged our rental car through Autoeurope as we have many times in the past.  We have never had a bad experience with them and found their rental rates to be far below other options.  They e-mail a voucher which needs to be presented to the actual rental car agency (Hertz, Avis, Europecar, etc.).  They also will match lower prices that you may find after you book the rental.  For example, I check their listed rates, as well as the rates of their sister company Kemwel.com, after I make the initial booking and often am able to reduce the rental cost even further.
    • You will hear many people counsel you to not drive in Catania or Palermo.  We ignored this advice and drove in Catania and it was a mistake.  It was very challenging (frightening actually) and there seemed to be no attention to normal rules of the road.  Do not attempt it!
    • Driving in the rest of Sicily was fine.
    • The Sicily travel forum hosted by trip advisor is a great resource.




    Wednesday, June 8, 2016

    Heathrow Airport, 6/8/16



    Our journey has concluded. We have had another outstanding adventure. It unfolded like a rapturous feast, the kind seen in movies like Babette's Feast. A series of superlative offerings. Set in the perfect order.  Each offering topping the previous. Ecstatic traveling. That is the Wesley/Casey way.  If someone asks, as many will, reasonably so, what was the highlight of the trip, I can only say that what began as an outstanding trip got better every day. Everyday, everyplace was the highlight. And now we return from a dream trip to our dream of a home. The world, our globe, is wonderful, especially so in the smaller cities, the villages, the historic centers. Only a week ago, we stood on a mountain top in Agrigento. The sun, in it's last hour, illuminated, and bathed in golden light, the temple we stood to admire. From there, the hills rolled down to the southern shore of Sicily. Two-thousand six-hundred years ago that temple was surrounded by people. On an individual level, their cares were similar to ours. They desired good health for their loved ones and for them to be happy and satisfied.  It is a satisfying and reassuring part of travel to see, everywhere, humans wanting good for other humans. It is a great privilege And pleasure to crawl to the far corners of the world and find good there.

    Wes and Marlow
    Heathrow Airport, London
    June 8, 2016

    Taormina & Etnea, May 29


    Between CATANIA and our next destination, the up-market inn, Monaci delle Terre Nere, in ZAFFERANA ETNEA, we have several hours to fill, before our room is ready. We will drive north on the west coast to make a short visit to TAORMINA.

    TAORMINA is nestled on a steep hill with a view that has made it a must see town for at least a century. It sits atop a mountain. It's main street is narrow. The streets that cross it are even narrower. Those cross streets, on one side ascend the mountain. On the other, they descend and end with a vista of the sea. They are all, picture postcard perfect, with cobblestones and bougainvillea. Add a little blue sky, some puffy clouds, sunshine, maybe a cocktail or scoop of gelato, and life feels very good.  Our moment in TAORMINA is on a weekend. It is busy. There are many people. Wes leads us through the streets, past the small, black lava churchs and through the elegant gates of the Hotel Timeo. Then through the elegant lobby and out to the expansive terrace where at the rail where the terrace ends there are large pots of bright red geraniums. Beyond them are palm trees, and bougainvillea, and vistas of the town ascending the mountain, and of the sea, and of, the star attraction, Vulcano Etnea, The Etna.  

    The Hotel Timeo is elite and expensive. The terrace is not crowded. We sit at a shaded table facing the view. The waiter takes our order. He returns with a juice concoction where the bowl of the goblet is first lined with mint leaves, then filled with crushed ice, then juice of blood orange and passion fruit. It is garnished with a stem with nine tiny red currants and two long swirls of lemon zest. It is tart and perfect in the warm weather. We also have a goblet with two flavors of granita: strawberry and lemon. The strawberries here have a particularly exotic, perfumed aspect. To wipe our dainty fingers, we have tiny beige ironed linen napkins. And there are patatine (potato chips), hazelnuts, salted almonds and plump green olives. Life is good at the Hotel Timeo overlooking The Etna from TAORMINA.

    From the Hotel Timeo, en route to the car, we visited a ceramics shop. Wes recognized, through the shop window, the work of Giacomo Alessi from CALTAGIRONE. The shop owner had a broomstick across her shop door while she ate from her bowl of spaghetti with eggplant. She sensed we were in a buying mood and let us in. A few minutes later we walked out with five small pieces. She was happy and Wes was, too.

    One hour later, we arrived to hotel known as, Monaci delle Terre Nere. The name is great practice in Italian pronunciation of the letter "e", which sounds like the "ay" in hay. Delle Terre Nere, goes like this, repeat after me, day-lay tay-ray nay-ray. Bravo studenti! The hotel occupies many sloped and hilly acres, most of which are orchards of kiwi, cherry, apple, fig, olive, apricot, peach and orange trees. The buildings include and old two-story mansion and several new out buildings which house the majority of the rooms. Between the buildings, there are terraced green lawns and a pool for shallow swimming, and chaises.

    In just five years, they have built up a loyal clientele. There is so much that is good, that the few things that seem off, stand out to me in stark contrast. I will only mention one of them: the music which played loudly in their esteemed dining room, from a speaker three feet from my head, was American. We are in Italy. I am absolutely thrilled for my hosts to share with me what they love most about their country. That is not their management style. On another level, the staff which takes care of us has some wonderful members, such as Veronica. During our short stay, we have seen her doing excellent work at poolside, in the reception room bar and taking care of clients during dinner. She gets a gold star!

    Today, we made an excursion. We drove half-way around The Etna. Our destination was RADAZZZO for lunch at the Trattoria San Giorgio de Il Drago. Along the drive, the vegetation was astounding. Cherry trees heavy laden with fruit. A chestnut tree reputed to be three-thousand years old, or more. Apple trees, olive trees, vast fields of low profiles ferns, and mountain sides covered with shrubs abloom with bright yellow flowers. And their are poppies and roses. As I remarked today, their problem here is not getting things to grow, it is preventing them from growing. The plants I have mentioned are not all cultivated. They are wild. Growing everywhere. Self seeding. Every so often, we see a large swath of black lava that just stopped and hardened on it's way downhill. The drive is a feast for the eyes. And if you have a moment to stop the car and snitch some fruit, it is a feast for the nose and mouth, too. I am reading an Italian book (in English). Called The Leopard, it was written, sixty years ago, about the life of a prince in Sicily one-hundred and forty years ago. Prince Salina has estates all over the island of Sicily. They are described in the book. Life was different then, but we passed today a few houses, with long stately driveways, that could have belonged to a Prince Salina, though now they look forlornly in disrepair.

    As I mentioned, the scenic drive took us to lunch. Trattoria San Giorgio de Il Drago is in RANDAZZO. RANDAZZO is a small, functioning, non-tourist town. It's streets are narrow. It's buildings are mostly made of black stone. But there is some indescribable charisma to the town. Saint George killed a dragon from his horse with a spear. At the end of a cul de sac is a church by that name, maybe it is a monastery, and this trattoria also by that name. The main room has a very high pitched ceiling. Our waitress was outstanding. The man at the bar played the best Italian music. The chef is Paola. She is someones mama and someones nonna. We had maccheroni fatto a mano in casa (made by hand in house), with tomato sauce. A simple sauce with a few salty olives and a few pine nuts. The maccheroni, about as long as my hand, were thick with a tiny pin-hole running through the core. We sprinkled a few spoons of parmigiano cheese. Mama Paola made us happy. Then we had fagottini, which was a stuffed beef cutlet. Inside was ham and smoked scamorza cheese. Outside, it was breaded and sautéed.  Delicious. The music was first, Vinicio Capossela, then Rita Botto. It was Sicilian. The trattoria house staff loved it, mama Paola loved it. They shared it with us and we loved it, too. With the meat we had cicoria selvatica saltato in padella. Chicory sautéed in a pan, simple.  We finished with two deserts. Hazelnut semi-freddo with tiny carmellized hazelnut bits. Wes ordered an espresso and drizzled half the cup over it to create his own affogato (ice cream in espresso). We also had Tiramisu, usually drizzled with coffee, this one, instead, was drizzled with house-made almond milk. This meal, like the one in SCICLI, turned into a lovefest. We, so clearly, expressed our appreciation and respect and interest and pleasure and they responded with open arms. They brought, as a final necessity, a bottle of their house made amaro digestivo, which bears their name, Amaro dell'Etna, San Giorgio de Il Drago.

    Wes and Marlow
    Taormina & Zafferano Etnea & Randazzo, Italy
    May 29, 2016


    Catania, May 27-29

    In the year, sixteen-hundred and seven, composer, Claudio Monteverdi, more or less, invented the operatic form. In Mantua, in a relatively small room in the ducal palace, Monteverdi's Orfeo premiered.  Commencing with blazing trumpets and bacchanals, he told the story of Orpheus. In another opera, The Coronation of Poppea, he wrote aching and dazzling and rapturous arias about the inner circle of a head of state. In one aria the head of state expresses, "if my actions are against the law, then I will change the law to suit my actions".  The Roman Emperor, Nero was the subject, though it could be about today's world poltics. A century and a half later Rossini, wrote operas, which even today, give us snapshots of how the world turned in his day.  Then Verdi and Puccini filled out the repertoire with enough material to please a world hungry to see it's emotions expressed in song, in italian, with sets and costumes. Our visit to Catania is entirely about opera. It is to see and hear a performance of La Sonnambula by Vicenzo (Salvatore Carmelo Francesco) Bellini at the Teatro Massimo Bellini.

    CATANIA is a challenging city. It has many outstanding aspects. They are in fierce competition with it's urban detritus. Aside from the usual urban stuff—frightening traffic, (if you drive which we did); graffiti, ("no fracking", "stop fascism")—there are buildings, half-demolished from the bombs of World War Two, which have not been repaired or removed. They are scars of a brutal encounter, yet where they are located has become fertile ground for creative young people. They use the drama of the destroyed as a cool backdrop for their bars and eateries. Destruction and creation, side by side.  We had dinner late at night on a small, misshapen piazza fronted by a half-building where two businesses overlapped. One was young and hipster and jammed. The other, Trattoria La Pentolaccia, was old fashioned with abrupt service and lots of slicked back black hair. Do not cross them, at least, it felt that way. I had Penne alla Puttanesca. It hit my palate with a wallop. The tomato sauce was dense and rich. The olives and the pile of capers were way salty. It was not subtle. It was not refined. It was bold and confrontational. "You want salty, I'll give you salty!" "You want thick sauce, I'll give you thick sauce". It was an outstanding five euro experience. The neighborhood was appropriate to the pasta. It used to be one of the largest red-light districts in Italy.

    When you say CATANIA, everyone says, "you gotta visit the fish market". We visited the fish market. It is on steroids. It makes the ORTIGIA fish market—the one with the heavy guy staring at my lens, holding his gleaming cleaver between a massive bluefin tuna and a swordfish still wearing his sword—look kind and gentle. In CATANIA, they want you to feel the life and death struggle that brings the fish to market. The market is crowded and wet. It is outdoors on streets of rough and uneven stone. Part of it is under a railroad bridge. It is a manic and aggressive bustle. Fish is sloshing in buckets of water, pink with blood. Many of the fish are still moving.  If looked at as a gladiator event, the sellers are the victors, the fish are the vanquished and we are the spectators who have chosen to witness their demise. Of course, it is not really that. It is a fish market where you buy what you want to cook. But it is not a pretty sight.



    The flip side of that overt rawness is the opera house. The interior of Teatro Bellini is exquisite. Shaped like a horseshoe, it has five tiers of boxes and a sixth tier of port-holed viewing spaces. I think it seats about twelve-hundred guests.  The front of every box has a plaster angel with arms outstretched holding a glass lantern globe. Around the circumference of the round ceiling mural are fourteen chandeliers, each composed of one-dozen glass globes. The orchestra pit is entirely exposed and the sound is thrilling. The vibrations of the strings are palpable. Our performance featured a soprano, Gilda Fiume, who sang like an angel. The virtuoso aspects were perfect and effortless. Her high notes were like the beauty of a colorful sunset: they hovered and floated and wafted full of delicious tone and color. The rest of the company was very good, but she thrilled me. She is at the start of her career and we wish her well. It was a joyous night. We were mesmerized and entertained and we smiled and laughed and at the end applauded like mad. The opera is a wonderful contrast to the urban energy of the city. That said, I wish good luck to anyone who drives a car into CATANIA during evening rush-hour.

    Wes and Marlow
    Catania, Italy
    May 27, 2016

    Modica and environs - May 24 - 27

    After spending four carless (such bliss!) days in Siracusa, we picked up another car (Fiat 500) to continue our exploration of Sicily.  The next stop was Modica, one of the several "baroque towns" in southeastern Sicily that were completely rebuilt at the height of the baroque period following an earthquake that devastated the region in 1693.

    Ristorante Scala
    Rather than take the direct route, we headed to the southern Mediterranean coast and drove through the nature preserves and fishing villages on the coast to end up at an exceptional ristorante in most unlikely wonderful spot. PORTOPALO DI CAPO PASSERO, still in the SIRACUSA region. A tiny town, modest, low profile with a gentle slope to beaches on three sides. Most of the buildings are yellow, purple, blue or green, 1950's two-story apartment buildings. Not a resort, but if you want beautiful water, lots of it, zero crowds, no glitz and one great restaurant and probably low room rates, this is your town. 


    The restaurant, Scala, is Slow Food recommended. By Slow Food, I mean the international food policy organization based in Bra, northern Italy. Slow Food encourages production of the highest, purest, finest quality ingredients for use in preparations with ancient histories. Scala uses ingredients, seafood, just hours or minutes out of the pristine local water. We started with an appetizer plate of cuttlefish, urchins, sea bream, large sweet pink shrimp. I then had a spaghetti with cuttlefish, it's ink, and with, as the waiter said in English, fresh ricotta "upstairs".  It is a dish best eaten with eyes closed and a black clothes. It is a mass of spaghetti saturated with black. It was wildly good. I was delirious, maybe it is literally intoxicating.  



    Dessert was two bowls of fresh ricotta cheese. Both were strewn with diced pears.  Then one had marsala syrup and the other had chocolate sauce, finally, dusted with crushed green pistachios from BRONTE. They have rooms upstairs. The beach is idyllic. Paradise. The town is eh. But for seafood lovers, I could imagine checking in for a few days of beach lolling and taking all meals at Scala.

    Back in the car. Back on the road. Let's go to NOTO. On the way, we drove through fields engulfed in raging flames. They do that here. It is a seasonal thing. Torch the fields. Is it a way to quickly clear them? Does the black ash residue add nutrients  to the soil? It is somewhat alarming to see at first, but we got used to it. There were fields of cultivated cactus, the variety with large flat paddles and lovely yellow flowers. And there are millions of solar panels. And trucks piled beyound high with watermelons. Along the way, also, were tomato fields as far as the eyes could see, most of them under cover of white plastic or mesh screen. Literally, all the way to the southern most tip of Sicily. Oh, by the way, the ristorante, Scala in PORTOPALO DI CAPO PASSERO is one of the southernmost towns in Sicily. 

    We have just inarrived into NOTO. It is on a hill. The Ionian Sea is visible, though it is about dieci chilometri lontano, ten kilometers distant. On every corner is a veggie stand with tomatoes, eggplant, watermelon and citrus which all grow just down the hill. in town, we have found a good parking spot. Wes is on a hunt for an Edicola (newstand) or Tabaccheria (tobacco, salt store) to buy parking time. Then we will set the paper clock dial on the dash to the current time and display our parking receipt and we will be good to go.

    NOTO was destroyed in the earthquake of Sixteen ninety-three. Instead of rebuilding from the rubble, the city was entirely relocated six miles away. A new urban planning scheme was designed on a neat and tidy grid and construction began. Because of the thoughtful reconstruction it is a pleasure to wander. Fine examples of Sicilian baroque buildings are a side by side. Remember, this trip is partially intended to experience a broad variety of southern Italian cities we are stopping in some for as little as ninety minutes. NOTO is a short but satisfying visit. 


    Monica from our porch
    Breakfast at Casa Talia
    Front yard at Casa Talia
    The drive to MODICA is scenic drive through terraced groves of gnarled, enormous trunked olives. This inn represents another bullseye for Wes. Case Talia is spectacular. MODICA is a canyon with steep walls. At the bottom, there used to be two rivers. After one flood too many, people moved up the slopes. However, up the slopes, natural caves have existed, just as in MATERA, for thousands of years. And people have inhabited them all that time. I am speculating, but whereas MATERA's poor living conditions without running water, electricity and gas, created sub-human conditions. MODICA, maybe, installed those utilities and the conditions never became sub-human. So MODICA has caves that have little stone cottages in front of the openings. Here and there is a palazzo. Mostly, the structures are small. Dry stone walls—meaning built without mortar—and stairs zig zag up, down and over the slopes. The gaps in the walls are perfect for wild caper berry plants to take hold. Our Inn consists of a cluster, perhaps one-dozen, of the small structures. They have been converted into a paradise of lush gardens—olive, pomegranate, rose, lavender, agapanthus, jasmine—and comfortable cottages. The owner is an architect from Milan.

    We are having breakfast on a lawn, in a garden, half-way up the slope, looking across to the cathedral which also is mid-slope. The sun is shining. Other couples are at their lawn breakfast tables, too. We are twice their age and glad to see the "youngsters" enjoying the world.   Directly across the canyon from us and midway up the slope is a large cathedral placed like the jewel in the crown. It has three hundred stairs leading up to it from the canyon floor. So many stairs that roads cross over them. The sides of the stairs are thick with bougainvillea. It is very attractive. 

    The breakfast, brought to our table, is sprawling, but not overwhelming. A small white plate with two slices of local cheese, two of cured meat and a small pile of eggs—with bright orange yolks—scrambled. A slender thin glass beaker of Sicilian orange juice, fresh squeezed. Two tiny bowls, in one is tomato jam, in the other apricot, both made in-house. Fresh yogurt over sliced kiwis. Of course, there is coffee. And there is chocolate.

    Casa Talia was one of our favorite lodgings on the trip.  Primarily due to the outstanding views and very peaceful ambiance (the wifi password was "slowliving").

    Mention the name, Modica, and the second word is chocolate. Here, they say, they do it the Aztec way. They grind the cocoa beans on a stone slab then mix the bitter pulp with cold water. Because the water is cold, the added sugar remains grainy. I remember eating such chocolate in Mexico. Sicily was ruled by Spain for a few centuries and it was during that era—when Spain was conquering the Aztecs—that the Mexican chocolate procedures arrived in Sicily. in MODICA, they have made it that way since.  One shop is particularly popular because of their quality and because the have samples on the counter, which they encourage you to try lots of. We did. We liked. We bought. Their products are light on cocoa butter, therefore they do not have the seductive melting quality, but neither do they have a cloying aspect. It is simply cocoa and sugar. It crumbles. They offer a hot chocolate. That is made with water, cocoa, sugar and cinnamon. Also not cloying. The shop is Antico Dolceria Bonajuto.


    Sampieri
    MODICA is well situated for day trips. It is not far from the shore. We drove to the beach. Sicily's southeastern coast is the southern most part of Italy and is even further south than the northern coast of Africa.  It is called SAMPIERI. It is a pristine crescent of white sand with gemstone water. I am aware I have described the water here in colors of gemstones, but it is the way it is. There are so many beautiful beaches here and their water is idyllic. SAMPIERI has abundant beauty. And SAMPIERI has almost no hotels or restaurants. In a way, that is good. It limits the clientele. Some people will only visit a place if it has all the bells and whistles. SAMPIERI has only what is important, the water, which remains shallow for hundreds of feet and is fronted with lovely dunes and native vegetation. In the shallow parts, minnows flit around our ankles and fist sized crabs scurry from our feet. 

     The climate today is neither cold nor warm. It is just right. After a walk and lounging on the sand and a quick dip in the shallow clear water we went for lunch which we found inland about ten miles in the town of SCICLI.

    I am astounded by Wes's skills at travel planning. As we flit from here to there and I am under the impression we are finding things together and improvising, making it up as we go along, it is actually all thought out in advance by Wes. He has discovered all these places online. They are on his target list. And we have not stumbled onto them by accident. It is part of his wonderful plan. His is a virtuoso performance. All the effort of planning is hidden. All I see is the end result. The wonder, the beauty, the diversity. Things natural and things manmade, all laid out for my appreciation. All the labor hidden from view. We arrived in SCICLI—pronounced Sheek-lee—minutes before La Grotta closed for lunch. The name, La Grotta, sounds like a cave. It is a cave. The front door is in a large boulder. But unlike the grotto ristorante a few weeks ago at the sea where Domenico Modugno wrote Volare, this cave is inland and here, the cave is not the big deal, it is just where we are eating.

    The chef has an interesting story. He was born in SCICLI. When he was five years old, his parents moved to Germany. There, he married a woman from Madrid and they had two children. Ten years ago, he returned to SCICLI to open a ristorante. He loves his work. We asked him questions. How do you make this? How do you make that? The more we asked, the more he revealed. Most important about him is he appears to love cooking and food and ingredients more than anything in the world. It was a joy And an inspiration to be in his presence. Here are some random notes jotted as the lunch was under way:  


    The walls are irregular cave walls. The chef came to the table to describe what is good today.  It all sounded good.  We ordered a mixed seafood appetizer. The plate was an eye dazzler.  Many colors, shapes, textures.  There were seven components on the round plate.  In the center, simple octopus coins mixed with vinegared tiny vegetable dice.  There was a pair of three-inch long octopus tentacles, crisply grilled with salt.  A small tuffet of a crab cake with a pile of crab meat on top.  A piece of fresh and untoasted bread, topped with white beans, again tiny vegetable dice and a silvery, marinated, fresh anchovy reclined from edge to edge.  In an oval metal dish, sardine tin size, was roasted tiny baby octopus in tomato sauce. But what tomato sauce! Intensely flavored. I thought they had been flame roasted. No, the chef said the tomatoes were dried in the sun, then slow cooked to evaporate moisture and concentrate the flavor. The flavor made me very happy.  The other items were equally good.  Next up, there was a pasta: Ravioli.  And there was Roasted Amberjack on a bed of onions with capers.  I have to take a moment to honor the onions.  I wanted to hear from the chef how he achieved them.  He brought out for us to see a white onion.  It was flattened like a donut peach.  He cut it open for us.  It smelled sweet and mild.  It was young.  

    Next, his daughter brought from the kitchen a soup pot filled with the seductive, melt-in-your mouth onions.  He described his process: the chopped onions are piled in a pan with a little water and a tiny flame then allowed to slowly heat till they begin to melt.  Then a drizzle of olive oil goes in, the flame goes up enough to evaporate a splash of white wine vinegar.  A pinch of sugar and ecco: cipolle agrodolce.  In Sicily, agrodolce is agru e doci.  For desert: two semifreddos.  One of almond.  One of chocolate.  Then to aid digestion, two slugs of Amaro made with bitter herbs and the local Sicilian oranges.  Throughout the lunch, the chef and his daughter took care of us.  He to us in Italian, English and Spanish.  

    The chef was born in Scicli, but when he was a little boy his parents relocated to Germany.  Twelve years ago, after a thirty year absence, he moved back to Scicli with his wife, who is Madrid-born, and his son and daughter who are German born.  Of the four family members, we only interacted with two.  They were outstanding in every way.  The love, passion and pride for their ingredients, food and feeding people makes it an privilege for us to sit at their table.  As we ate, we thought of each of our family members and friends and wished they could be with us.  It was a food fest, but it was a lovefest, too.  Wes read about the ristorante using his Slow Food app.  I was unaware of where we were headed to eat.  It was an important meal and worth the drive.

    Wes and Marlow
    Modica & Sampieri & Scicli
    Tuesday, May 24, 2016









    Ortigia, May 20 - 24

    We arrived into SIRACUSA by train and decided to walk to the rented apartment. The walk, though, was not long. From train to apartment was thirty minutes. It was a memorable transition. The day was warm. The car traffic zipped by. It did not make a "wow" impression. The cobble stone streets and stone side walks gave our bags a bumpy ride. Within minutes we arrived at a bridge, the Umbertino.  A few steps away, on the other side, is the heart of SIRACUSA, the piccolo island of ORTIGIA. I will say at the outset, ORTIGIA appealed to us. The first thing you see, on the other side of the bridge, are the ruins of a Temple of Apollo. It was built two-thousand six-hundred years ago! (What have we built in our towns that will last that long?). The temple sits as the jewel in the crown of a sweet piazza. On one side are ancient stone apartment buildings. On another side are palm trees and the start of the street where the daily open-air food market occurs. The final side faces a promenade, of pomegranate trees, which leads to the water and the bridge we crossed.


    The apartment Wes rented happens to be someone's residence.  Somewhat of a penthouse, it occupies the top floor of a building with about eight apartments. Only a few apartments have been renovated. The common area and the meandering stairway are a bit worn and crumbly. For a moment, I was concerned. Then, the apartment door opened onto a spectacular home, entirely camera ready for the top design magazines. The main living space, a large rectangle, was once three large rooms. Now, it is an open loft, about sixty feet long by twenty feet wide. The floor is paved with gleaming local brown marble. The ceilings are high and vaulted.

    The windows are large and tall french doors with views past church tops and terra cotta roofs, to the sea. They open onto shallow patios large enough for potted plants and to hang laundry out to dry. Those patios look directly across the narrow street, about twelve feet, to the opposing apartment's windows. One day, as I hung wet laundry to dry, an older woman neighbor opened her window. We chatted for a few minutes. My limited, but enthusiastic Italian went over well. She concluded the conversation with a compliment, "tu hai denti bellissimi". You have beautiful teeth. Silly as it sounds, to wash then hang dry, outdoors, your laundry is to participate in a local, traditional cultural tradition. A popular song, "le simplici cose", the simple things, alludes to the repetitive, constant, daily ritual—done by the old and young and single and married and widowed, by grandmothers and soldiers and teenagers—of laundry. The rest of the apartment is renovated and furnished with the same great aesthetics and style and refinement. It felt like we were borrowing a friend's exquisite apartment. Another instance, as in Locorotondo and Lecce, of a rental that did not feel like a commercial transaction.

    We settled in then went immediately exploring. Down the street, is an attractive corner shop called M.O.O.N. It stands for Move Ortigia Out of Normality.  It is a bar, a caffè, a vegan ristorante, a community center, a focal point for it's roster of resident artists and a performance space. There is constant music. The waiter will sing Mozart arias. A duo will sing rockabilly with a string bass. Someone wanders to the piano and plays several Chopin ballades. One morning, we walked past the MOON and saw a woman making a violin. She is Giuseppa Modica, one of the resident artists.  She plays the violin very well and even made the violin she plays.  She studied violin making in Cremona, Italy, ground zero for the greatest violins on the planet.  The next day, the MOON celebrated their anniversary with an open house. Giuseppa invited me to play duets with her. The viola I used was built by her partner, Giovanni Carazzol, also a fine violin and viola maker.

    Another day, we got haircuts. The barber was older than us. His shop looked old. Three walls were covered with large mirrors in painted wooden frames. The mirror had that old look that occurs when the silver coating slightly pulls away from the glass. He used scissors. His snipping relaxed me. It had a steady rhythm. He seemed to focus on and cut each individual hair. Occasionally, he used a straight razor to glide over an unruly patch. It was scary to enter his shop. He seems a local beloved fixture. Constantly, people stopped into his door to say a respectful hello. His son was there, to keep him company. It seemed, if we stayed longer in town, we were now entitled to say hello each morning on the way to market.




    We spent time at the open air food market. In four short streets, it inspires with exceptional edible things.  The fruits are tiny orange-fleshed melons, sweet as can be. And apricots with rosy blush cheeks. Perfect strawberries and tiny teardrop shaped tomatoes, so sweet, more fruit than vegetable. Everything at the peak of perfection. There is a cheese shop which makes sandwiches in a unique way. You give them free reign—though, if you must, they will accept a like or dislike from you—to improvise on a long perfect bread roll. They will use baked, warm, creamy, fresh ricotta. Or buratta or scamorza (smoked mozzarella) or prosciutto or fresh marinated anchovies. They will drizzle fresh olive oil pressed from local trees. Their repertoire of seasonings is a scrape of lemon zest or a squeeze of lemon juice. The tiny fronds or little dice of fresh picked baby fennel. Sliced strips of tomatoes dried in the sun, chopped basil or mint or a shake oregano dried on it's stalk. Or they will chop olives that have already been marinated in all of the above.  The sandwich is alive on your palate with zings of sweet, salty, creamy.

    There are fish mongers, too. You would not want to be on their bad side. They are good with a huge cleaver. The cleaver is huge because the fish is huge. Like nothing I have ever seen.  The blue fin tuna is fourteen feet long. It weighs one-thousand eight-hundred pounds. It's color is deep red. If you did not know what you were eating, you might think it was meat. It is more fleshy than flaky and not at all fishy. They catch it in an ancient way.  The tuna is lured into a series of ever smaller nets. When it arrives into the smallest net it is wrangled into submission by men then brought directly to market where the men with cleavers expertly divide it into saleable parts. The swordfish is local, too, and an impressive sight. To be on the boat with the fishermen wrangling these giants of the sea would be an unforgettable experience.  They also have smaller sea creatures. Gambero rosso, the sweet and large pink shrimp. And there are squid and octopus and clams and mussels and sea bream and branzino and anchovies and eels.

    The perimeter of ORTIGIA can be walked in about an hour. One side has a scenic marina with a long wide stone paved boardwalk and a long double row of shade trees over benches. The water is blue and green gemstone colors. Around the bend, is a tiny swimmable beach. At the narrow tip is an ancient fort. It's massive stone walls rise out of the water like a ship. That area is off limits. It is a military site. The rest of the island is all of a piece. The buildings are very old. The streets are all narrow. Some neighborhoods are better than others in that some have been anointed as the districts that are best for spending the time, energy and money on building renovations. The lesser neighborhoods have outstanding buildings in near collapse. Those can be bought for very little money, but the challenge of restoration is too large so they sit with mature trees growing from the collapsed living room floor and through the crumbled terra cotta tiled roof.


    The island's cathedral is wild. If it looks as if massive Greek pillars are trying to emerge through the walls it is because two-thousand six-hundred years ago the building was a Greek temple.  The Roman's came and converted it into a Roman temple. Then, it became a fortress. Then, a catholic cathedral. Through it all, the columns stood. Then, an event often referred to occurred, the earthquake of sixteen ninety-three. The front of the building crumbled and was replaced with a massive and tall baroque facade. Today, the pillars still stand. Six across the front and the back. And twelve or fourteen from front to back on each side.  The cathedral is at the center of the irregular shaped main piazza which is clad in white marble blocks. If ORTIGIA is the heart of SIRACUSA, the cathedral and piazza are the heart of ORTIGIA.

    Back on the mainland, there are more Greek ruins.  There are so many, the comprise a large park which is not well maintained. On our walk there, it was hot. The scirocco winds were blowing from north Africa. The bring blast furnace heat and fine sand. It made our walk a trial. The site has two star attractions. One is a Greek theater, twenty-six hundred years old theater. It is still in use for an annual festival of classic Greek plays. Situated under the theater is an unusual cave. The painter, Caravaggio, gave it a name. The Ear of Dionysius. The entrance is tall, like a fifteen story building, and shaped like Mr. Spock's ear, pointed at the top. The cave is shallow. You can walk the depth of it in two minutes. When you stand at the entrance, any sound you make is amplified and repeated at the rear of the cave.

    ORTIGIA rates absolutely high on this trip's destinations. Waking up in a beautiful sunlit apartment and squeezing Sicilian oranges into juice. Then walking the circus of a food market and stopping for granita made from fresh almonds or fresh lemons. Eating a fresh cooked cannoli tube filled at point of sale with fresh sweet ricotta. Having a new barber friend and two new violin maker friends. ORTIGIA good. Molto, molto bene!

    Wes and Marlow
    Ortigia, Siracusa, Italy
    May 20, 2016

    Friday, June 3, 2016

    Tropea, May 18, 2016

    On the way to TROPEA, we detoured to MORANO CALABRO, a city which ascends up a tall mountain. However, we did not ascend. The road, we suspected, would be complicated with narrow twists and turns. Additionally, the historic centers of Italian cities are protected from motor traffic via the ZTL designation, which stands for "zona traffico limitato".  Forgive me if I have misspelled that. Few cars are issued permits to enter the ZTL's. There are cameras which catch offenders.  A citation is mailed to the owner of the car's license plate. The fines are large, "un sacco di soldi", expensive, a bag of money.   We did not drive up to the oldest part where there is a fancy ristorante. We stayed down below and visited La Cantina for lunch.


    The dining room is a rectangle, large and plain.  "Mama" was in the corner. There, she manipulated flour and eggs into pasta dough.  Then rolled out her lumps of rested dough with a matarello. A matarello is a long thin pole of wood used for rolling dough and for whacking the Italian husband when he displeases mama.  Mama seemed happy. The husband was safe. The matarello rolled her dough flat. She cut the dough into pencil length strips which she wrapped around a skewer and rolled back and forth.  The finished spiral noodle, she slipped from the skewer and onto a linen lined tray. We ordered the antipasto della casa. We were surprised when, after a first plate arrived, a second plate arrived, then a third, a fourth, a fifth, a sixth, a seventh, and an eighth. They were large plates piled with delicious things  We were being fattened up! There were anchovies freshly caught, cleaned and fried.  Thin slices of fresh and sweet zucchini, sliced into sticks, then bundled into stacks and fried. Three cheeses. Sardella, which is a paste made from sardines and red peppers pounded to a pulp.  There were slices of a loaf, which consisted of chopped meat in a vinegared aspic. And delicious meatballs seasoned with parmegiano cheese. Creamy beans cooked with prosciutto. Thin slices of baked eggplant. It was too much food. and it would be followed by two main courses.  Fortunately, I can be counted on to eat like a goose fattening my liver for fois gras. When mama generously bestows her creations on us, I cannot leave a bite on my plate. We ate everything including Wes's Cavatelli pasta with ricotta and basil.  And my mixed grill of three meats. Mama treated me to a fourth meat, veal, because I had asked about it earlier. My mixed grill plate had pork loin, sausage, chicken and veal. So full!  Oh no, I forgot we ordered side vegetables. A huge platter of sautéed chicory arrived. I practiced phrases of apology, "perdonaci", (forgive us), "scusaci", (excuse us). "Tutto erano molto buono ma non abbiamo spazio per tutti", all was very good, but we do not have space for everything. In the end, we ate everything. They offered dessert. We declined. Wes paid the bill and went outside. Mama sent dessert anyway.  I had to. I ate it. Mama's just baked thin cake with fruit apricots in the batter was molto buona. We got back into the car. And finally, we drove to TROPEA.

    The rural scenery throughout this area is quite consistent. Everywhere, there are high and low hills. Rolling. Undulating. Dry stone walls which turn steep hills into plantable terraces and identify the property lines. They zig zag up and down. There are vast vistas of olive groves and vineyards. It is, currently a great season for wild flowers. Everywhere, there are yellow and purple and blue flowers and red poppies. Eventually, we arrived at the shore, the Ionian Sea, I believe. Or maybe it is the Tyrrhenian shore.

    Our room in TROPEA was on the second floor of a small inn, adjacent to similar inns, on the sand. The sand is fine and white. The water is almost transparent.  The summer season has not begun. We had the inn, the sand and the water mostly to ourselves.  On the sand, in front the inns are several platforms. They offer beach chairs, umbrellas, showers, drinks and food. We chose a random one and became regulars for our few days. The proprietor was a lively personality. He told us of his days working on ships and of the foreign and exotic locales he experienced. We recited our speech to him, that we are studying Italian and would do our best to understand. He spoke slowly.




    When we asked about local foods, he made them for us.  One day at lunch, he had just received from his fisherman friend a bucket of six-inch long fish with rosy skin. Of course, we wanted them. They practically jumped from the sea and onto his platter. Catch of the day in that setting is special. They were lightly breaded and sautéed. Their meat was sweet and outstanding.  In another instance, we had heard our housekeeping staff talk about, doo-yah. That is how they pronounce, 'nduja, a sausage from CALABRIA, (the Italian state which TROPEA is in), made from various cuts of pork which are slow cooked with spicy red chilis. It is used as a condiment on pasta and meat. Our proprietor whipped up, for us, a plate of spaghetti with 'nduja and and slow cooked "cipolle rosse di TROPEA", the famous,red, torpedo-shaped local onions. The spaghetti was red, delicious and savory from the 'nduja. And the sweet onions melted into a sauce. It was spicy and sweet and seductive and made our happy tongues red.

    On another day, we went up hill, from the shore to the mesa where the town proper is located. And this is what I wrote ......

    We are in the historic district of Tropea. It is on a mesa. The sea is down below. The sand is white. The water is transparent. Invisible with a hint of blue. We are in the town square, the piazza. It is perfect climate. We are in shorts and light sweaters. The main drag runs about four old cobble stoned ancient streets. There are eateries one after another. They are attractive. Some have music. We are seated in a wine bar and into our second glass of fine local wine. It is red. It is seductive. The winemaker is a woman. Her winery, Terre Nobili, was started by her father. The red wine is Alarico. It is one-hundred percent the "nerello cappuccio e mascalese" grape. I have never heard of it. But this region, this province has had wine since the year eight-hundred before-christ. Hercules lived here. The original Olympic athletes drank these wines, (or so legend has it.) So, we are seated in an outdoor wine bar, drinking multiple glasses of this Olympian, Herculean wine and feeling no pain. Life is good. We are in the old world. I cannot explain it. I cannot put my finger on it. But it is different here. The pace of life. The appreciation of taking the time to sit outdoors in Tropea on the Mediteranean and wallow in the simple pleasure of an ancient product hand crafted by people who care intensely about doing something as passionately and finely as it can be done, not motivated by fame or ambition, just personal satisfaction. Our wine is part of that. And as if our wine was not enough, platters of food, come with the wine. not just a potato chip or a peanut, but platters of delicious things. On our platters were steak tartar and oven roasted long green peppers sweet as could be, thin sliced zucchini rolled around something irresistible and on and on and on.  The music playing is a mix of Brazilian samba and American jazz.

    Everything, the music, delicious wine, the hours we spent on the white sand and in the blue water and eating our lunch of seven-inch rose colored petticine fish just plucked from the sea, which we ate as if playing a harmonica, our teeth pulling the sweet meat off the tiny skeleton and there were the sweet gambero rosso shrimp and the swordfish caught by young fishermen from a few miles south and the amaro digestivo made from local herbs, then there are the Italiani so full of life, so willing to interact, if we smile and say buon giorno, as if they are all, to a person, our host at this party of our trip.

    We are here, in TROPEA, for less than forty-eight hours. It is an entirely different ambiance than the inland, hilltop villages. It took me a few moments to adjust to the coastal seaside setting which has not got the


    urban antiquity to wander through. But the sea is antique, the shore needs nothing manmade for it to be extraordinary and beautiful and I should appreciate the beauty. But I love the man-made stuff that is old, old, old.  The buildings with plaques that say Pythagoras lived here. Or Caesar was assassinated here.  Or Dante in the year thirteen-hundred wrote about a man who lived in this building.  At the sea, I have to shift gears. I am slow to do so. I am a work in progress. But it happens. It has happened. And we are wallowing in the old world pleasure of TROPEA in Calabria in Italy on the European continent on this our magnificent globe with it's abundance of good things.

    We were sorry to leave, but we packed up, waved good by to the sea from our second floor, ivy and bougainvillea fringed, patio and drove the car forty-five minutes north to the train station In La Mezia. Wes returned the car. One hour later, we boarded the train. Two hours later the train arrived in VILLA SAN GIOVANNI where the most remarkable thing happened. A ship, parked at the dock, opened it's giant upper mouth and our train rolled right inside it. Totally, Noah, in the belly of the whale. The ship's mouth closed and the ferry sailed across the strait to MESSINA where the mouth opened and the train rolled out and two hours later we arrived in SIRACUSA on the mid-eastern Sicily shore.

    Wes and Marlow
    Tropea, Italy
    May 18, 2016

    Thursday, June 2, 2016

    Matera, May 16, 2016 and a prelude to the final posts from the trip

    During the middle of our journey, we moved fast through many places. On several occasions, we were substantively in three cities during one day. I wrote notes along the way, but I got behind. With these next four, or so, entries, I aim to catch up. I want to make a general remark about my aim to avoid, perhaps unsuccessfully, repetition. After a time, I found the geography and the beach water was consistent. I mean, the beach waters we have seen have all been exquisite in their colors. The constant hills have all rolled and have all varied from green to brown in color and have all had olive trees, vineyards, stone walls, etc. If I have described things similarly, too often, I am sorry.  

    Though we are sleeping only in ten cities, we will, by journey's end, have seen about thirty. The goal is to explore southern Italy. That, necessarily, requires a fast pace. We have had two cars, each for about ten days. Both were Fiat's. Both were stick shift transmissions. It is very hilly here. Wes gets gold stars for outstanding driving through  intensely chaotic streets, particularly in Catania.

    Wes and Marlow
    Matera, Italy
    May 16, 2016

    Much of the southernmost part of the Italian peninsula and the large island of Sicily have many hills composed of soft stone. Maybe it is limestone, I am not sure. The stone is referred to as tuffo. Through the milennia, the soft stone eroded. Natural caves occurred and people set up housekeeping in them. I am not talking about "prehistoric cavemen" with clubs. The people, through circumstances beyond their control, happened to be born there and the caves provided a good shelter. Of course, there are serious issues involved in cave living having to do with sanitation, a source of clean water, plumbing, electricity and that is where we begin, in the extraordinary mountain village of MATERA.

    The city of MATERA, came to prominence because of their caves and the living conditions of the families who occupied them. For thousands of years, in their caves, they cooked, slept, raised families and housed their donkey. The donkey, here called asino, was good for riding, hauling things, but was also beloved company, like a pet. Also, and this will be foreign to us, it's "poops" radiated heat enough to keep the room warm. Eventually, as a family needed more space, they cut and scooped out more of the stone. The scooped stone was not hauled away. Instead, it was piled or stacked at  the mouth of the cave.   Eventually, those additions grew into small stone cottages. Between cottages, footpaths were established. The centuries passed. The families grew. The cycles of life occurred. The old died. The young grew. But in MATERA up till the nineteen-thirties, while much of the world modernized with electricity and running water, the caves did not. About seventy years ago someone wrote a chapter in a book in which he exposed the unsanitary cave conditions. The Italian government was embarrassed and moved to make improvements.

    Today, MATERA impresses with it's rolling hills terraced with stone cottages. The surrounding hills are lush and green. They, too, have caves, but are uninhabited and without stone structures in front. In our time, a Hollywood movie, The Last Temptation of Christ, was filmed there and residents still talk about it.  The plan devised by the Italian government removed the cave dwellers until improvements could be made. Some evicted cave dwellers have been allowed to return.  Other caves have been meted out to entrepreneurs who have created multi-starred cave hotels. Real estate prices have soared.  Caves that remain uninhabited are in municipal limbo. One can make an application. Review of the applications takes years and it takes connections, too.  We engaged a guide to walk us up and down and through the city of MATERA. He loves history and and art. His work is more than a job. He was outstanding and we learned a lot from him. His name is MICHELE ZASA.

    We did not stay in a cave. Wes rented someone's apartment. It is on the fourth floor, at the top of a fortress building which has ground floor wall that are several meters thick. Not all of the apartments in the building are renovated. Ours has been.  It has three, high-ceilinged, interconnected rooms.  The owner, a cellist, told us, "when you go to bed, you will be sleeping under a thousand year old roof".  We had a full kitchen with a terrace for two that has a magnificent crow's nest view. The living room has a tuned piano and a terrace for four facing other cave bearing hills.  Through our open windows, we heard a clarinet, a bassoon, a piano, a saxophone and a soprano. The music conservatory is around the corner on the main piazza. The sound of students practicing was wonderful. They are sculpting and refining and creating their small ripple to send out to the world. On our first night, we went to a concert of music for harp ensemble. In each small city, when we arrive, I say, somewhat as a joke, "this town needs a viola player". There are have been so many opportunities to play here. So many good rooms. People, when they hear I play viola, get smile and become  excited.

    MATERA has become a cool destination. There are young adult entrepreneurs who operate wine bars and ristoranti. One eatery, in one cave, long and slender, had decor equal to the coolest eateries in the capitals of the world. The tables were dressed in luxury linen. My fingers loved the texture of the weave. Their wine list was long. Every bottle local. Each glass we drank was an unusual taste treat. We had our first aglianico wine and loved it. The food was very good, too. The next night, blustery and rainy, we exited a sweet romanesque chapel, held our rain slickers tightly closed and walked, heads down, into the rain to seek a warm and dry place to sit and have a bite, though it was a bit too early for dinner to be served. We saw a window aglow. Inside, there were basic wooden tables without linens. We went in. It was empty. Two people in a back room said it was okay to stay. The room was quite bare. Wes noticed a placard which stated the communist philosophies of the place. We had house wine. It was unremarkable, yet perfect. We ordered plates of vegetables which were nothing more than a vegetable sliced onto a plate and drizzled with oil, vinegar and salt. The vegetable was new to me. A cross between a cucumber, a melon and a zucchini. Fantastic. I did not get it's name, but I ordered a second plate.  The place does not cater to the whims of tourists. It is not for tourists. It is for locals.  Sometimes, our desire to try all the foods and dishes which we have read about in books, steers us away from the things plain, ordinary and local that are, maybe, what is really eaten in the neighborhood. If the locals were to read our guide books they might be surprised at what is recommended to us.

    Eventually, we packed our bags, walked down the seventy-two stairs from our top floor apartment. We rolled our bags past the conservatory and caught a last earful of a soprano and of a bassoon. We loaded up our Fiat "popemobile" and began our drive toward our next destination, TROPEA.  If the Italian peninsula is a boot then TROPEA, in the region of CALABRIA, is the part of the foot before the toes.

    Wes and Marlow
    Matera, Italy
    May 16, 2016